Archives consulted.


A1 Waste Paper Co., Archive of Mailart 1970-present day, London.


Brian Lane Archive of Bookarts and Mailart 1960-1980 London.


Michael Lumb Archive of Mailart 1970-present day, Ipswich, England.


National Art Library, Victoria & Albert Museum, Archive of Bookarts and Mailart, London.





Banana, A. (1984) About Vile, Bana Productions, Vancouver.


Cavellini, G. (1974) 25 Lettre, Milan.


Crane, M & Stofflet, M. (1984) Correspondence Art: Source Book of the Network of International Postal Art Activity, Contemporary Art Press, San Francisco.


Ford, S. (1992) Smile Classified, National Art Library, London.


Harris, M. & Wilson, W. (1997) Black Mountain College Dossier #4 on Ray Johnson, Black Mountain College, USA.


Held Jr., J. (1986) International Artist Cooperation: Mail Art Shows. 1970 - 1985, Public Library, Dallas, Texas.


Held Jr. John. (1991) Mail Art, an Annotated Bibliography, The Scarecrow Press, New Jersey and London.


Johnson, R. (1965) The Paper Snake, Something Else Press, New York.


Netmail, A & P. (1993) Network Discussions: Reports on the DNC 92, Blacky's Image Lounge, Jakarta.


Padin, C. (1989) Latinoamerican Mail Art, self published, Montivideo.


Poinsot, J. M. (1971) Mail Art Communication a distance concept, Editions Cedic, Paris.


Ruch, G. (1987) MA Congress 86: Documentation, Material & Sources, Out Press, Geneva.


Welch, C. (1995) Eternal Network A Mail Art Anthology, University of Calgary Press, Ontario. Canada.


Wilson, W. (1997) Earlier Ray Johnson, Black Mountain College, USA.





Albright, T. (1972) 'New Art School: Correspondence Art', Rolling Stone, pt.1. 1(106): April 13th 1972. 32. pt. 2. 1(107): April 27 th.1972.28 -29.


Banana, A. (1988) Banana Rag, No.22. (March 1988).


Banana, A. (1991) Artistamp News, Vol 1, No1, Vancouver, Canada.


Bourdon, D. (1964) 'An Interview with Ray Johnson', Artforum, Denville, (September 1964), 29.


Bourdon, D. (1969) 'Notes on a Letter Head', Art International, U.S.A., (November 1969), 78 - 80.


Bourdon, D. (1995) 'Cosmic Ray', Art in America, (October 1995), 106 - 111.


Bourdon, D. (1995) 'Portrait of the Artist as a Young Mailman', Artforum International, U.S.A., (April 1995), 71.


Butler, D & Padwick, R. (editors) Artists Newsletter, First published 1976, Arctic Publishers, Sunderland.


Caprile, L. (1985) 'Hiroshima, Scomparsinell'ombra', Il Lavoro, Italy, (September 1st.1985), 3.


Carrion, U. (1978) 'Rubber Stamps: Theory & Praxis', Rubber No.6, Stemplaats, Amsterdam.


Close, C. (1995) 'Golf War', Artforum International, (April 1995), 73-111.


Cohen, R. (1995) Brain Cell, Self published paper, Osaka, Japan.


Cohen, R. (1981) 'Art and Letters: Please Mr. Postman Look and See..Is There a Work of Art in Your Bag for Me?', Art News, 80 (10), U.S.A., (December 1981), 68-73.


Cohen, R. (1984) 'Mail Art then - Ad Reinhardt and Gilbert & George', Franklin Furnace Flue, 4(3/4), New York, (Winter 1984), 3&4.


Cook, G. (1984) The Padin/Carabello Project, in Crane, M. & Stofflet, M. (1984), 369-371.


Felter, J. W. (1976) Postage Stamps, Artistamps & Stamp Images, catalogue, Simon Fraser Gallery, Simon Fraser University, Canada.


Felter, J. W. (1989) 'Pacific Northwest Artistamp Collective', introductory essay in catalogue Pacific Northwest Artistamp Collective International Artistamp Exhibition Seattle, U.S.A.


Fricker, H.R. (1985) Tourism Review, Vol.1. No.1, Switzerland.


Friedman, K. (1984) 'Mailart History: The Fluxus Factor', Franklin Furnace Flue, 4(3/4), New York, (Winter 1984), 18-24.


Gablick, S. (1964) Location, (Summer 1964), n.p.


Held Jr., J. (1990) From Moticos to Mailart: Five Decades of Postal Networking, self published paper, Texas, reprinted in Held Jr. J. 1991.


Held Jr. J. (1993) (What is) International Networker Culture (Anyway) ? self published paper, Texas.


Held Jr. J. (1995) 'Bunny Dead the Mysterious Life and Death of Ray Johnson and the Rise of the New York Correspondance School of Art', National Stampagraphic, Vol XIII No.3, U.S.A., n.p.


Home, S. (1988/1989) 'To Tell the Truth', Lightworks, Number 19, (Winter 1988/1989), 30-34.


Jupiter Larsen, G. (1984) What is Commonpress?, self published paper, Vancouver, Canada.


Kramer, H. (1970) 'Art: Out of the Mailbox', The New York Times, (September 12th. 1970), 23.


Marks, P. (1995) 'Friends of an Enigmatic Artist see a Riddle in his Death' The New York Times Metro Sunday, (February 12th. 1995), n.p.


Nikonova, R. (1991) 'Soviet Censorship' Artists Newsletter, (January 1991), 4.


Nikonova, R. (1995) Mailart in the USSR, essay, published in Welch. (1995), 97.


Oisteanu, V. (1984) 'Illegal Mail Art. (a poetic essay)', Franklin Furnace Flue, 4(3/4): 8, New York, (Winter 1984), 11-13.


Padin, C. (1989) Latinoamerican Mail-Art, self published, Montivideo, Uruguay.


Paik, N-J. (1995) 'Something about Nothing', Artforum International, (April 1995), 72-111.


Phillpot, C. (1991) 'The Mailed Art of Ray Johnson', essay in More Works by Ray Johnson 1951 - 1991, catalogue, Goldie Paley Gallery, Moore College of Art and Design, Philadelphia, Pennsylvania, November 1 - December 15 1991.


Pieper, R. (1980) 'Ray Johnson', Mail Etc., catalogue, University of Colorado, U.S.A.


Pincus-Witten, R. (1988) 'Fluxus & the Silvermans: An Introduction', Fluxus Codex, Harry N. Abrahams, New York. 15-18.


Pittore, C. (1984) 'The N-Tity', Franklin Furnace Flue, 4(3/4), New York, (Winter 1984), 32-34.


Plunkett, E. (1977) 'Send Letters, Postcards, Drawings and objects ...', Art Journal, U.S.A., (Spring 1977) 233-241.


Privitere, A. (1988) 'Artist makes MOMA see red', New York Post, (Saturday, August 27th. 1988), n.p.


Ruch, G. (1986) 'Decentralised MA - Congress 1986', Clinch, Geneva, n.p.


Russell, J. (1977) 'Ray Johnson', Art Journal, XXV 1/3, U.S.A., (Spring 1977), 235-237.


Segay, S. (1989) 'Where the Secret is Hidden', Iskusstvo, ISSR, (October 1989), n.p. note 29.


Spiegelman, L. (1984) 'A History of Los Angeles Mail Art', (1978 through 1983)', Franklin Furnace Flue, 4(3/4), U.S.A. (Winter 1984), 29-31.


Welch, C. (1993) 'Introducing Mail Art', Netshaker, Vol.2. Issue 1, (March 1993).


Wilcock, J. (1955) 'The Village Square', the village VOICE, 1(1), New York, (October 26th.1955), 3.


Wilson, W. (1965) Ray Johnson, essay in The Paper Snake. Something Else Press. New York.


Wilson, W. (1966) 'NY correspondance school', Art and Artists, (April 1966), 54 - 57.


Wilson, W. (1966) 'Vibration and Reverberation', Collage, 1(13), (September 1966), 58-59.


Winner, C. (1992) 'Check out the Zine Scene', Iowa City Press, (Thursday September 3rd. 1992), 6d.


Zack, D. (1973) 'An Authentic and Historikal (sic) Discourse on the Phenomenon of Mail art', Art in America, 61(1) (January / February 1973), 46-53.



Radio Broadcast.


Last, M. (1970) The New York Correspondence School at the Whitney Museum, The Critical People, WRVR - FM, (20th. September 1970).








Atkins, R. (1990) A Guide to Contemporary Ideas, Movements and Buzzwards, Abbeville Press, New York.


Barr Jr., A. ed. (1947) Fantastic art, dada, surrealism, MOMA, New York.


Belanger, T. editor. (1971) The Last Whole Earth Catalog, Penguin, Harmondsworth, England.


Berger, J. (1972) Ways of Seeing, Penguin, Harmondsworth, England.


Cage, J. (1968) Silence, Marion Boyars, London.


Derrida, J. (1987) The Postcard, The University of Chicago Press, Chicago & London.


Duberman, M. (1972) Black Mountain, an Exploration in Community, Dutton & Co., New York.


Fischer, H. (1974) Art et Communication Marginale: Tampons D'Artistes, Balland, Paris.


Gablik, S. & Russell, J. (1969) Pop Art Redefined, Thames & Hudson, London.


Gaumont, M. J. & Gough-Cooper, J. (1974) editors, Yves Klein, The Tate Gallery, London.


Hendricks, J. (1988) Fluxus Codex, Harry N. Abrahams, New York.


Henri, A. (1974) Environments and Happenings, Thames and Hudson, London.


Home, S. (1989) Art Strike Handbook, Sabotage Editions, London.


Home, S. (1991) The Art Strike Papers, AK Press, Stirling.


Home, S. (1993) No Pity, AK Press, Stirling.


Home, S. (1995) Conspiracies, Cover-ups & Diversions, Sabotage Editions, London.


Home, S. (1991) The Assault on Culture, AK Press, Stirling.


Huizinga, J. (1950) Homo Ludens: A study of the Play Element in Culture, Beacon Press, Boston.


Kellein, T. (1995) Fluxus, Thames & Hudson, London.


Krauss, R. (1986) The Originality of the Avant-Garde and other Modernist Myths, Cambridge Mass. and London.


Lippard, L. R. (1966) Pop Art, Thames & Hudson, London.


Mauss, M. (1990) The Gift, Routledge, London. translation of 1924 Essai sur le don.


McLuhan, M. (1967) The Medium is the Massage, Penguin, Harmondsworth, England.


Motherwell, R. (1951) The Dada Painters and Poets, Wittenborn, Schultz Inc., New York.


Parker, R. & Pollock, G. (1987) Framing Feminism: Art and Women's Movement 1970 - 1985, Pandora Press, Routledge & Keegan Paul Ltd., London.


Tisdall, C. (1979) Joseph Beuys, Thames & Hudson, London.





Goodall, P. (1976) 'Feministo: Portrait of the Artist as a Young Woman', Spare Rib, No.49, 37.


Goodall, P. (1977) 'Growing, Point/Pains in Feministo', MAMA, Women Working Together, 28.


Jappe, G. (1972) 'Not Just a Few are Called, but Everyone', Studio International, Vol. 184. No.9. (1972), 50.


Levine, S. (1982) 'Statement', Style, Vancouver, (March 1982), 48.


Marmer, L. (1966) New York Pop, in Lippard, (1966), 69-138.


Parker, R. (1977) 'Portrait of the Artist as a Housewife' Spare Rib, No.60. 5-8.


Ross, M. (1976) 'Portrait of the Artist as a Young Woman: a postal event', Liquorice 'n' allsorts, (November 1976), n.p.